Being creative director and illustrator for my mom’s book

Over the past several months I have been working on my mom’s book as Creative director and illustrator. I am thrilled to announce that Growing Whole Children in the Garden: Seasonal Explorations from Peregrine School is now available on our website and on Amazon!

To celebrate the release, we are hosting a virtual launch party. We invite you to join us to raise a glass from our respective locations and make potato, citrus and junk prints. We’ll be demonstrating this project (one of so many!!) from the book, which is fun for children and adults. You can make wrapping paper, holiday cards, gift tags or artworks with us (scroll down for instructions)

Save the date for Sunday, December 13th, 2020
4pm Eastern / 1pm Pacific
Email me to RSVP

Growing Whole Children in The Garden is a book of tools, practices and reflections developed by Lorie Hammond with her community over 50 years of teaching nursery school kids to graduate students and now as the director of Peregrine School, a progressive school in Davis, CA. The book is about understanding big ideas through concrete experience of nature, culture and place.

It has been amazing and challenging to work on such a big project with my own mom. It was a unique opportunity to stay connected during the pandemic with our weekly zoom meetings and many calls. I already knew my mom was amazing, and now I am even more grateful to be raised by a this creative powerhouse. It has been a privilege to help her shape her ideas into a piece that is accessible for parents, teachers and those who interact with children of all ages.

Look forward to printing with you on the 13th!

Materials for print-making:

• A bag of potatoes, or old potatoes from the kitchen (any kind)

• Other kitchen objects and/or citrus fruits for printing (optional)

• Paper towels

• Tempera paint in desired colors

• Sharp knives (for adult use with small children)

• Paper plates or small trays for the paint

• Paper such as cardstock or watercolor paper for cards or gift tags, newspaper for wrapping paper, any other type of paper you would like to experiment with (glossy papers may not take paint well)

• If you want to mail cards, envelopes that fit the cards you cut (you can cut the paper to fit the envelopes you have)

 
What we'll be doing:

Cut potatoes in half, being careful to make the cut straight. Your cut will be your printing surface. Then, with a sharp knife, cut a design out of the potato faces or leave the design you want and cut away the rest of the potato. It is easy to make hearts, flowers, suns, spirals, and other simple designs. Avoid complex designs.
 
Look around the kitchen, if you like, for other objects that might make nice prints. Pencil erasers make a nice dot. Potato mashers are great, and corks make a larger dot. Use your imagination and try things.
 
Mix tempera paint with a little bit of water. Make a “sponge” from a pile of paper towels cut to fit your paper plate, and pour the paint onto it. This will help the paint to print more evenly.
 
Practice printing on scratch paper to see what works and how much paint to put on the potatoes. Often the best image results from the second time you print with the same paint dip. You can print several times with one dip, but each print will get dimmer.
 
If you are using several colors, keep certain printing objects in each color. If children move them around, you will get muddy colors.
 
Start making prints! This activity is good for the whole family, so you will probably want to make quite a few.
 
Let cards dry for at least a day, since the tempera is often thick or uneven. If you like, decorate cards further by drawing on them. Otherwise, write your messages and send off your unique cards! Grandparents will love them!
 
Note: Potato printing is not a precise art. Like all hand-printing, its charm comes from the variations in texture that occur. Some older children are frustrated by surprise results. If you like, show them some pictures of woodcut prints in art books or from the internet, to see how printing is a special kind of art that always has variations.